please.” He could believe he all but sobbed that plea, but Cade seemed to like it, as if it fed something inside him. “Beg for it.” Myron looked at him, laying everything bare. “I need to know if you want this.” “Yes, sir!” His cry echoed off the rock walls. He wriggled his fingers, stretching him further. “Answer me,” Cade said more firmly, gripping his hair a little. That had hurt, but it also reached something deep inside him-a pleasure far beyond his material body, all the way to his heart, filling his very spirit. ~~~ Cade smiled at him then whispered in his ear, “Are you ready for my cock?” He pumped his fingers in more aggressively. Today's sexy excerpt is from the first time they come together, and Cade literally brings Myron to tears. # **Smoking Saturday!** Cowboys don't cry, but Myron does! Have you met Myron and Cade? HIS RANCH HAND (told from Myron's POV) is an emotional, sexual awakening story about a cowboy who is trying to figure out who he is, where he belongs, and what he wants out of his life.
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It isn’t until he’s befriended by another “lifer” named Red that Andy recognizes hope can be an undeniable weapon against conformity and corruption. The cell door slamming shut that first night is the beginning of a dark new reality for Andy, one filled with sadistic prison guards, corrupt wardens, and the lingering threat of violence and sexual assault. In “Rita Hayworth and Shawshank Redemption,” Andy is sentenced to two life sentences for the murder of his wife and her lover. No one would fault Andy Dufresne for abandoning hope. The ways in which they’re tested, sustained, mangled, or transformed are often uncomfortable but always captivating. You’ll find the themes of hope and innocence woven throughout the four novellas that comprise Stephen King’s DIFFERENT SEASONS, warped and broken as they may seem. He stressed that as we aged, it takes work to preserve those feelings, to even have the capacity to experience hope and wonder. Whether it’s the manic excitement of a sleepover with friends, the endless promise of your first love, or summer days that seem to last forever, those feelings are never as pure or as acute as they were when we were young. They begin to chip away at our hope and innocence. Careers, marriages, and children occupy all our time. He talked about growing old, and losing the wonder and hope we were flush with as kids. At a wedding I attended years ago, the father of the bride said something that’s stayed with me. Merchant, the Brave Swordsman, the Learned Princess, and the Fearsome Q: The Kirkus Review of the book says, "Written with aĬheeky tone, this offbeat story puts a modern spin on exaggerated archetypalĬharacters known only by their capitalized titles, including a Traveling Something to the extent of, "If you write it, I'll illustrate it."Ī few months later when I sent him the manuscript, he Thought of my idea for a book called Gladys the Magic Chicken. Highly evocative and in a burst of inspiration, I wrote to Adam asking what he Q: What inspired you to write Gladys the Magic Chicken ?Ī: I was scrolling through Twitter one day when I noticed aĭrawing of a chicken that was posted by Adam Rex. His other books include the forthcoming middle grade work of fiction The Ice Cream Machine. Adam Rubin is the author of the new children's picture book Gladys the Magic Chicken. But the distance between Amy and Solomon is a measure of how radical, and powerful, “12 Years a Slave” is. The visitor might be a carpetbagger, a Union colonel, or a Philadelphia detective. Amy, like Northup, is the “visitor from the North,” an archetype in films about the South. In the movie “Jezebel,” Amy comes south because she has married Preston, a New Orleans banker who was once engaged to Julie (who is now deranged by jealousy). Solomon Northup was a New Yorker who ended up on a series of Louisiana plantations after being kidnapped in 1841. The mistress of the plantation looks at how her husband is watching Patsey, and then reaches for a heavy crystal decanter, which, with abrupt violence, she throws at Patsey, knocking her to the ground. Then Patsey, a young woman played by Lupita Nyong’o, raises and twirls her arm in a gesture whose vivacity could never be choreographed. Northup, who plays the fiddle, might as well be Orpheus. They move like dancers in a dream, half ritual and half gloom. Edwin Epps, a planter, has dragged his slaves out of bed to make music and dance for him and his wife. There is a scene, similar but transformed, in “12 Years a Slave,” the new movie directed by Steve McQueen and based on the memoirs of Solomon Northup, played by Chiwetel Ejiofor. They are absolutely mystified by the teenager and constantly fretting that they’re doing something wrong. Although socially awkward, they’re kind and decent and just what Victoria needs. The brothers had been isolated on their cattle ranch since high school, mostly keeping company with each other. I particularly liked the story line about Victoria and the McPheron brothers. In another story line, young brothers Ike and Bobby Guthrie are quietly struggling when their mother abandons them while their father, Tom, tries to move on with his life. Elderly, lifelong bachelors, Harold and Raymond Mcpheron, take her in. In one, 17-year-old Victoria is pregnant and her mother kicked her out of the house. There are three or four main story lines. It’s the kind of book that I mostly liked, but I have a hard time understanding why. Plainsong takes place in the fictional town of Holt, Colorado, and mostly chronicles the lives of some of the residents in a very direct but poignant way. |